![]() The results of the study of the later material suggest that the later Hathoric crown was created in a time of political instability, when Ptolemy IV needed to emphasise his ancestry – underlining his lineage from Arsinoë II and Ptolemy II. It indicates that she was proclaimed female pharaoh during her lifetime, and that she was regarded the female founder of the Ptolemaic Dynasty. The results of this study suggest that the crown of Arsinoë was created for the living queen and reflected three main cultural positions: her royal position as King of Lower Egypt, her cultic role as high priestess, and her religious aspect as thea Philadelphos. In order to show the development of the crown’s symbolism, this work includes a large number of later scenes depicting the Egyptian goddess Hathor wearing a crown almost identical to Arsinoë’s. This crown was later developed and usurped by other female figures the material includes 158 Egyptian relief scenes dating from Arsinoë’s lifetime to Emperor Trajan, c. The study focuses on the crown and its details, while also including all contextual aspects of the relief scenes in order to understand the general meaning. The aim is to identify and understand the symbolism that is embedded in each pictorial detail that together form the crown and how this reflects the wearer’s socio-political and religious positions. This study deals with a unique crown that was created for Queen Arsinoë II. If considering the data from the rest of the dynasty, Karnak must not be excluded as another place for which the Hermitage statue could have been intended. Biri Fay’s hypothesis on the Lower Egyptian production of the statue makes it safe enough to suppose that it was made within the framework of a certain state-wide project. With this reading, it is possible to speculate on the provenance of the Hermitage statue as Coptos or Elkab, the only places where the monuments of Amenemhat III mentioning Nekhbet were found. The damaged part of the titulary may be reconstructed as “Amenemhat Nekh” or similar. The author proves that reading it as the name of the goddess Mut is hardly possible, while the existence of the monuments of Amenemhat III revealing his interest, although limited, in the cult of Nekhbet, makes the understanding of the ideogram as Nekhbet the most probable option. You can redistribute and/or modify it under the terms of the GNU Public License, version 2 (GPLv2).The paper is devoted to the sign of a vulture in the partly lost titulary of Amenemhet III on his statue in the Hermitage Museum. The cushion shading additionally brings out the directory structure. The color of a rectangle indicates the type of the file, as shown in the extension list. So their area is proportional to the size of the subtrees. The rectangles are arranged in such a way, that directories again make up rectangles, which contain all their files and subdirectories. The treemap represents each file as a colored rectangle, the area of which is proportional to the file's size. The extension list, which serves as a legend and shows statistics about the file types.The treemap, which shows the whole contents of the directory tree straight away,.The directory list, which resembles the tree view of the Windows Explorer but is sorted by file/subtree size,.On start up, it reads the whole directory tree once and then presents it in three useful views: Please visit the WinDirStat blog for more up-to-date information about the program. Note: if you are looking for an alternative for Linux, you are looking for KDirStat ( apt-get install kdirstat or apt-get install k4dirstat on Debian-derivatives) or QDirStat and for MacOS X it would be Disk Inventory X or GrandPerspective. WinDirStat is a disk usage statistics viewer and cleanup tool for various versions of Microsoft Windows. Latest version: 1.1.2 Windows Directory Statistics ![]() WinDirStat - Windows Directory Statistics
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